-3-
FIRST VERSION |
THIRD VERSION |
|
1822 - 1899
CHANGE IN DATE
1822 - 1895 |
||
Nicolaus
CHANGE IN NAME
Nicolas |
||
Christophorus
CHANGE IN NAME
Christopher |
||
1833 - 1896
CHANGE IN DATE
1833 - 1895 |
||
CHANGE OF PERSON |
||
Josif
CHANGE IN NAME
Joseph |
||
Pjotr I
CHANGE IN NAME
Peter I |
||
Gengis
CHANGE IN NAME
Genghis |
||
1050 - 1106
CHANGE IN DATES
1553 - 1610 |
CONCLUSION
The research for the first edition must have been done very
poorly. Mistaking the French Henry IV for a more obsolete Henry IV and getting
the wrong dates in 3 other cases too, doesn't compliment the job. The copyright
problems were not forseen and were probably not raised until after the second
version had been published. With that one only Henry IV and 2 of the dates were
"repaired", overseeing the 3rd one. I guess that the same team, that
was responsable for the research for the first deck, has repaired it too.
Could the copyright problems have been forseen? Anyone who wants to use the
image of Elvis or Sinatra, should have known that this could cause trouble! With that
knowledge it wouldn't have been a bad idea to check and see how this would be in
other cases. It's probably safe to assume that Genghis Khan has no relatives
left to watch over his estate and name, but there are some other names that
should have raised questions.
When the copyright problems had come to light, the whole deck was probably
screened for more problems in this area. That could explain the sudden burst of
name changes in the 3rd version. Another explanation could be that all the names
from the first version are spelled in their native language and to square out
the different languages and to internationalize the deck, these are all spelled
in English in the third version.
In terms of marketing the editions were not well planned either. The second CM deck was published (probably as a result of time pressure) before all the necessary changes and repairs had been made. But this CM edition was a larger one than the first CM and enough to satisfy the public demand. When the repairs had been made, there was probably no further demand left to justify another CM edition. So now the renewed deck could only be used for special advertising decks, which was probably a major financial setback for Carta Mundi. The copyrights for the second edition still had to be paid and probably couldn't have been recovered by the advertising decks with the third version.
But also the name or fame of the company's quality must have had a setback. I don't think that Carta Mundi will think back with pride about this deck.