aces come with this deck, which was designed, printed and published by
Rijnen Reclamecentrum from Amsterdam from 2002 onwards. A simple modern
design on the courts that was inspired by the international pattern.
Rijnen Reclamecentrum can produce very small editions, compared to other printers who usually will only print large amounts. Printing is done with a technique called Digital Plastic Printing.
Playing Cards is a division of the Van Den Berg & Versluis printing
office from Dortdrecht. From 2002 on they have printed and published 3
different patterned decks. One has the international pattern and the
other two are reproductions of antique decks with Dutch scenic aces. For this deck the
courts from a luxury deck by Piatnik were combined with aces from a
deck, that was originally published by Frommann & Morian. The joker
was borrowed from Müller.
To complete the circle we’ll end with this deck. It was also printed and published by Hearts Playing Cards.
This deck is an adapted copy of the Lattmann deck that has been shown here as one of the earliest decks with Dutch scenic aces. See Germany 01-03. The accompanying joker (not shown) is an adapted Piatnik joker.
Here too the original designs and colours have been digitally adapted and a modern type font was used.
Now that the decks have been shown
and the circle completed, a rough timeline can be constructed in the history of
the Dutch scenic aces:
* 4th quarter of the 19th century: German manufacturers introduced Dutch scenic aces here in imported packs.
* 1st quarter of the 20th century: a Dutch printing company starts publishing decks with scenic aces in an effort to compete with the German quality packs.
* 1st and 2nd quarter of the 20th century: Belgian manufacturers start publishing the lesser quality decks with different sets of Dutch scenic aces for the general public. Various standard patterns were used.
* 3rd quarter: the Belgian manufacturers hold a large part of the Dutch (advertising) market and the only major Dutch manufacturer disappears from the stage. Each Belgian manufacturer still used their own version of the Dutch pattern and accompanying set of aces.
* 4th quarter: the playing card divisions of three Belgian manufacturers have been united in Carta Mundi and this firm will from now on control the Dutch advertising market almost completely with their standard Dutch pattern and standard set of scenic aces.
This monopoly on the Dutch market may be a blessing for the general public
in terms of easy recognition at playing, but as a collector I would prefer a bit
more competition again. In the past this has proven to be a guarantee for a more
diverse offering of patterns and accompanying sets of aces. It's a pity, but
after 25 years of looking at the same pattern and these aces, there's nothing
to dream about anymore.
This monopoly on the Dutch market may be a blessing for the general public in terms of easy recognition at playing, but as a collector I would prefer a bit more competition again. In the past this has proven to be a guarantee for a more diverse offering of patterns and accompanying sets of aces. It's a pity, but after 25 years of looking at the same pattern and these aces, there's nothing to dream about anymore.
-Turnhout, E. Tilman & E. van Autenboer, published by Nationaal Museum van de Speelkaart, 1983.
-Braun Catalogue IV: Dondorf.
-Wüst Catalogue by M. Shaw & P. Symons, 2006.
-Van NSF – SN by N. van Berkel, B. Haleber, L. Rijnen, A. Sinselmeyer, 1986.
-Speelkaarten van Nederlandse Gelegenheidsspeelkaartenmakers, by W. Hogenes & J. Sietsma, 1988.
-De Speelkaarten collectie van het Belastingmuseum, by Prof. Dr. Van der Poel, 1993.